Showing posts with label Theatre Space NE. Show all posts
Showing posts with label Theatre Space NE. Show all posts

Saturday, August 19, 2017

Much Ado About Nothing - Barnes Park - Review

Much Ado About Nothing
Theatre Space NE in Barnes Park
18th Aug 2017

Theatre Space NE's Plays in the Park have become the theatrical highlight of the summer in Sunderland, drawing crowds of intrepid adventurers out into the sunshine - and sometimes the rain - to experience the theatre in a different, more inclusive way. They traditionally stage three plays in three parks across the city - two Shakespeare and a family play, the latter usually written or adapted by a local writer. This year they offered Henry IV in Roker Park, Robin Hood in Mowbray Park and finally this week Much Ado About Nothing in Barnes Park. Sadly I couldn't make it to the first two productions, but survived the A19 trip from Hartlepool to Sunderland in time to catch their second performance of Much Ado.

Due to start at 6pm, the heavens naturally opened and poured out the contents of a large black cloud at 5.45pm. By the time we gathered at the Coach House CafĂ© for "curtain up" the clouds were departing and the last few drops of rain were giving way to sunshine. Clearly this was entirely due to the Gods taking pity on the actors as they sang a forlornly hopeful rendition of "Rain, rain go away".

The proceedings begin with the usual health and safety announcements - done in the style of a BBC announcer from the "magic black box", and then we are off. Transported to Italy after the end of a campaign of war (Italy was full of warring factions in the day - all the noble lords trying to pinch each others lands). Don Pedro (Steven Blackshaw) plays host to the returning heroes and his own brother Don John (Dale Jewitt) (nasty piece of work he is - full of scheming and sibling envy). Benedick (David McCarthy) wants to talk of war and daring deeds, but much to his disgust his friend Claudio (Luke Maddison) has seen the beautiful Hero (Eilidh Talman) and wants only to talk of love and marriage. Benedick thinks marriage is folly and swears he will die before he is wed. While Hero's cousin Beatrice (Corinne Kilvington) is scathing of men - and in particular Benedick - saying there is no man worth giving up her freedom for. She swears she would rather stay single as she is than marry an unworthy suitor.

Claudio, happy in love, plots with his friends to make Beatrice and Benedick fall in love, while Don John plots to undermine his brother Don Pedro by breaking up the marriage of  Claudio and Hero (it's all very devious and complicated!) From this ensues a wealth of comic and tragic misunderstandings. Lives are and happiness are threatened, fools and knaves are revealed, and well, if you want to know how it all turns out you shall have to get along to the park and join the adventurers!

As always it is difficult not to end up listing everyone when it comes to performances of note - but mention has to be made of Dale Jewitt who excels as both the superciliously conniving Don John and the self-important yet asinine Dogberry; David McCarthy is glorious as Benedick, and is surely the audience's favourite. David John Hopper as Leonato is transformed from a foppish sycophant in the first acts to a resolute, determined statesman in the final act, both persona's perfectly believable. Samantha Bell morphs from the tipsy maid, Margaret, to the jobsworth watchman Secole, and finally to an almost Julie Waltersesque performance as the elderly Friar.  She gets full marks for character hopping. Eilidh Talman is a beautiful and graceful heroine.

The best thing about Theatre Space NE's productions is that they don't take their Shakespeare too seriously - they are actively trying to make it accessible to everyone, so there is none of the grandiose pontification that in the past has been the mark of Shakespearean acting. Any pontificating is done very much tongue in cheek. They are not afraid to add in elements to make the play relevant and accessible to a modern audience, but do this without sacrificing the essence of the original. They add music and song. They interact with the audience, asides are generally addressed toward particular audience members. Eye contact is key - this is not an audience watching a play, this is an audience experiencing a play. There is no better way to experience Shakespeare in Sunderland!

Don't miss the last two chances to experience Plays in the Park this summer - Saturday 19th and Sunday 20th August, 6pm at Barnes Park. 

Denise Sparrowhawk

Sunday, July 17, 2016

Romeo and Juliet - Review - Theatre Space NE

Romeo and Juliet
Theatre Space NE in Roker Park
16th July 2016

On Saturday evening I joined a bunch of people in Roker Park, Sunderland for an out door performance of Romeo and Juliet. I have a love hate relationship with this play. I think it has some of the most beautiful lyrical writing from Mr Shakespeare but also the most annoying characters, added to this the plot device of the undelivered letter and the unfortunate timing by mere minutes in the final scene and my irritation is complete. I'm quite sure that Thomas Hardy's plots were all inspired by this device of Shakespeare! But enough of that - I was here to review this particular production of Shakespeare's tragedy of the star-crossed lovers not the writing of Shakespeare himself. But you may want to take that into account in the review - it was probably going to be a tough call to get me waxing as lyrical as The Bard himself...

Plays in the Park, it has to be said are a great way to introduce people to theatre - particularly people who maybe would find the idea of going to the theatre a bit daunting. For these, all you do is turn up at the designated entrance of the park and join the crowd. No worrying about finding your seat, or feeling out of place. As we arrive orange behoodied helpers ask for postcodes, and offer advice on where the best place to stand for the start would be. It is all very relaxed, but it is quietly efficient in its organisation. As we wait, watching the rest of the audience gather, the actors also begin to arrive and set up for the first scene.  Drums, guitars, and other percussion instruments are brought on, actors stand in little clusters chatting. We are given instructions from "Adventure Central" on protocols and safety issues during the performance....and then the action begins! Of course Romeo and Juliet starts with a fight scene - those Montagues and Capulets can't pass in the street without a situation developing. Tension builds with single drum beats and the call of "Star Crossed Lovers" and the opposing groups line up, the drum beats burst out and the fight kicks off - fists and feet fly, but no swords yet. The swords and bloodshed will come later - for now the fight is stopped by the arrival of the law and the leaders of the warring families are charged to keep their houses in order. It's a dynamic start - and sets the background and the pace for the play. Against this backdrop of fury and violence we have the contrast of a lovelorn Romeo. Pining for his love who has resolved to remain chaste and will not succumb to his advances. His friends, Benvolio (Steven Blackshaw) and Mercutio (Dale Jewitt), despair of him and he becomes the butt of their many bawdy jokes as they try to cajole him from his despondency. These two are the perfect foil for the seriousness of the warring families - they provide lighthearted relief and bring much humour to the play, reminding us that they are actually mostly just boys and girls, in their teens and full of the rebelliousness and restlessness that such an age brings.

And so, of course, Romeo's broken heart is quickly mended and Rosalyn forgotten once he sees the beauteous Juliet, only for it to be beset with a whole new set of problems when he discovers whose daughter she is! Am not going to spoil it and tell you the whole story - but you know it's not going to end well!

This production is fast paced, full of emotion and humour - surprising for a tragedy! The individual performances are great, the fight scenes beautifully choreographed and the anger and anguish realistic. If accents are a little more north-east England than north-east Italy, I think that can be forgiven.

Stand out performances for me were Romeo - William Davies brought such a mix of youthful enthusiasm and wretchedness to the role, he reminded me of an over-enthusiastic puppy! And Friar Lawrence - played by David John Hopper, again played with such humour yet his character displayed so much empathy with the plight of the young lovers.

I enjoyed the performance immensely - and the characters were not so annoying as I feared! Perhaps the recent anger and recrimination that has been witnessed since the EU referendum resonated with the themes of the play, where the characters all behave irrationally in their anger. Or perhaps the quality of this production won me over?

The last performance is tonight (Sunday 17th) at 7pm, if you can't get there tonight you can see the next productions from Theatre Space NE in parks in Sunderland over the summer - watch for George and the Dragon in Mowbray Park, and then more Shakespeare in Barnes Park with the Taming of the Shrew!

Cast
Lady Montague - Natasha-Sofia Goulden
The Prince - Steven Charles Stobbs
Benvolio - Steven Blackshaw
Paris - David McCarthy
Lord Capulet - Rob Reed
Juliet - Natasha Haws
Romeo - William Wyn Davies
Nurse - Corinne Kilvington
Tybalt - Jacob Ernie Anderton
Lady Capulet - Eilidh Talman
Friar Lawrence - David John Hopper
Mercutio - Dale Jewitt

Denise Sparrowhawk